#Mostrecent ian rankin novel 2018 series

Plus, I can’t visit any polluted cities like London.’ ‘If I catch an infection, it could be the death of me - the perfect excuse not to be sociable. ‘Who can afford food on a police pension? There are positives, though.’

‘You’ve dropped a bit of weight, that must be helping.’ ‘Winter’s not quite over yet - supposed to be snow on the way from Russia, maybe a lot of it.’ Annual spirometry test last week - lungs at seventy per cent.’ The only drawback of this new arrangement is that too many of these consultations sound like they should be taking place in a doctor’s office: When events at the beginning of In a House of Lies re-open a cold case with gruesome new twists involving a dead investigator found locked in a car with his ankles shackled with police-issue handcuffs, Clarke almost immediately finds herself in informal consultation with the uneasily-retired Rebus. The former colleague in this latest novel is Rebus’ old friend Detective Inspector Siobhan Clarke, who’s temporarily in disgrace with the brass in the Anti-Corruption Unit (series fans will recall that Rebus himself has been in that situation many times in his long career Rankin’s heroes often touch pitch but are never defiled). As one of those figures somewhat mordantly puts it, “John Rebus has a way of turning up.” Rebus retired a few books ago, so the police-procedural heavy lifting of these later novels has necessarily been done by other characters, with Rebus being invoked as an éminence who’s increasingly grise, somebody whose long association with Police Scotland gives him a kind of informal connection to almost every bizarre murder case that crosses the dockets of his much-younger former colleagues and successors.

#Mostrecent ian rankin novel 2018 series

Ian Rankin’s new novel, In a House of Lies, is his twenty-third featuring his signature character, now-retired police inspector John Rebus, which might not at first seem like much of a daunting obstacle in light of the length of some ongoing mystery series until one additional element is factored in: it’s been Rankin’s mostly-sincere conceit that his Rebus novels are unfolding in what novelists tend to refer to as “real time.” In book-by-book terms, this translates to his main character picking up dents and scuffs that he actually retains from one adventure to the next.